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Denis Villeneuve’s largely successful, much-delayed sequel finds its influences more compromised and more self-entwined. The variations on Chandler and Hammett now look as much like variations on Scott.We are now looking at a world that draws on the timeline conceived in the original 1982 film. It can be no accident that, early on, Ryan Gosling’s numb protagonist picks up a copy of Vladimir Nabokov’s Pale Fire.Poking around after the kill, he finds a box that contains the bones of a dead woman.
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The weather has worsened, the exteriors have become more oppressive and the angst has become more pervasive.
Rarely has any mainstream film been so conspicuously free of humour.
This alarms and interests various sinister forces throughout society.